Time | Presentation |
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8:00 - 9:00 am | Registration |
9:00 - 9:05 am | Welcome to Ngunnawal Country |
9:15 - 9:25 am | Welcome to conference |
9:25 - 10:10 am |
Keynote address: Alison Page
Designer and artist The new inventors |
10:10 - 10:40 am | Morning tea |
10:40 - 12:05 pm | Mentoring between communities Convenor: Louise Hamby Post Doctoral, Research School of Humanities, The Australian National University |
Recoiling the past for the future Margie West, Curatorial consultant and Emeritus Curator of Aboriginal Art, Museum and Art Gallery of the Northern Territory. |
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Menagerie Brian Parkes, Associate Director, Object Gallery. Nicole Foreshew, Assistant Curator, Object Gallery. |
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Professional Pathways The Canning Stock Route Project Carly Davenport Acker, Project Manager for Canning Stock Route Project. |
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All that Glitters … : An exploration of Aboriginal women’s knowledge production in shell art practice on the South Coast of NSW Daphne Nash, Phd Candidate, Research School of Humanities, The Australian National University. |
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11:45 - 12:05 pm | Questions for all presenters |
12:05 - 1:00 pm | Lunch |
1:00 - 2:20 pm |
Sustainability and the use of materials Convenor: Andy Greenslade Curator, Aboriginal and Torres Strait Islander Programs, National Museum of Australia |
A Koori garden: Tradition and innovation on the South Coast Vincent Bicego, Honours student, Faculty of Creative Arts, University of Wollongong. |
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At growing level Nalda Searles, Artist, Western Australia. |
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How the knowledge within country informs Aboriginal arts practices and affirms and sustains identity. Pamela Croft Warcon, Artist, Queensland. |
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Rainforest Weavers Maureen Beeron, Girringun Aboriginal Corporation, Queensland Daniel Beeron, Girringun Aboriginal Corporation, Queensland |
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1:50 - 2:20 pm | Questions for all speakers |
2:20 - 3:25 pm |
Innovation: Indigenous business perspectives Convenor: Jo Victoria Assistant Director, Northern Territory Service Delivery Team, Attorney-General's Department |
Weaving as a base for social work Rokahurihia Ngarimu-Cameron, Te Whanau Arohanui Trust |
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Holding it together: the integration of fibre arts and tourism in northern Australia Nicholas Hall, Visiting Fellow, Research School of Humanities, The Australian National University. Diane Djawundil, Artist, Northern Territory Meg Switzer, Stepwise Heritage and Tourism Pty Ltd. |
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The place to weave: the story of Arnhem Land weavers Roslyn Malngumba, Elder Linda Marathuwarr, Artist John Greatorex, School of Indigenous Knowledge Systems, Charles Darwin University. |
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3:10 - 3:25 pm | Questions for all speakers |
3:25 - 3:55 pm | Afternoon tea |
3:55 - 5:00 pm |
Innovation: artists' perspectives Convenor: Sylvia Kleinert Associate Professor of Australian Indigenous Art, Charles Darwin University |
Fibres from a cultural context Christina Hurihia Wirihana, Deputy Chairperson, Te Roopu Raranga Whatu o Aotearoa, National Weaving Committee, New Zealand |
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Gaawaa Miyay Design: Developing a contemporary design practice Lucy Simpson , Designer and textile artist, New South Wales Jilda Simpson, Deputy Director, Nura Gili Indigenous Programs, University of New South Wales |
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Fibre art practice on the South Coast of NSW Cheryl Davison, Artist, Gerringong, New South Wales |
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4:45 - 5:00 pm | Questions for all speakers |
5:00 pm | Delegate Drinks |
Time | Presentation |
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8:45 - 9:00 am | Registration |
9:00 - 9:05 am | Welcome |
9:05 - 10:30 am |
Museums as drivers for innovative practice Convenor: Lindy Allen Senior Curator, Indigenous Cultures Department, Museum Victoria |
More than Money Trish Barnard, Senior Curator, Indigenous Studies, Queensland Museum. |
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Weave and Mend: an Aurukun weaving project Guy Allain, Coordinator, Wik and Kugu Art and Craft Centre, Aurukun, Cape York Mavis Ngallametta, Artist, Queensland Dawn Koondumbin, Artist, Queensland |
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Coiled! An exhibition of fibre work from south eastern Australia Lorraine Coutts, Roving Curator, Indigenous Cultures Department, Museum Victoria |
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Tayenebye: Tasmanian Aboriginal women's fibre work workshops and touring exhibition Lola Greeno, Program Officer, Aboriginal Arts, Arts Tasmania. Dr. Julie Gough, Curator, Tasmanian Museum and Gallery. |
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10:10 - 10:30 am | Questions for all speakers |
10:30 - 11:00 am | Morning tea |
11:00 - 12:00 pm |
Policies for sustainability Facilitator: Catrina Vignando General Manager, Craft Australia, Canberra |
A panel discussion with Dr. Kevin Murray, Writer and Curator and Tamara Winikoff, Executive Director, NAVA talking about ethics, protocols and legal engagement with Indigenous artists. | |
11:40 - 12:00 pm | Questions to panel |
12:00 - 1:00 pm | Lunch |
1:00 - 2:05 pm |
Perspectives on practice Convenor: Margie West Curator and Writer |
Contemporary Traditional Rigel Sorzano, Writer and Curator, New Zealand |
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Clothing the postcolonial body: art, artefacts and appropriation Dr Sylvia Kleinert, Associate Professor of Australian Indigenous Art, Charles Darwin University, Northern Territory. |
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Fibre Sculptures: an innovation within Australian Indigenous Fibre practice Dr. Christiane Keller, Honorary Research Fellow, University of Western Australia and Collection Manager, John Curtin Gallery. |
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1:45 - 2:05 pm | Questions to all speakers |
2:05 - 2:45 pm | Afternoon tea |
2:45 - 4:05 pm |
Art Centre stories: engagement with industry Convenor: Valerie Kirk Head of Textiles, ANU School of Art, The Australian National University. |
Needlefelting: a textile technique for the surface Gay Epstein, Fibre artist, Director of Ashford Australia Spinning and Weaving. |
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Together Dreaming: Inspiring 21st Century Aboriginal communities Kelli Ryan, Phyllis Stewart and Steven Russell, Boolarng Nangamia Aboriginal Art and Culture Studio, Gerringong, New South Wales. |
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Silk: Innovation for Social and Cultural Sustainability Kommaly Chanthavong, Lao master weaver and Director of Lao Sericulture Company Mulberries label Boby Vosinthavong, Manager of Lao Silk and Craft, Melbourne. |
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Indigenous Textile Art Project: corporate collaborations with Babbarra Designs Bobbie Ruben, Printmaker, Department of Creative Arts and Humanities, Charles Darwin University. |
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3:45 - 4:05 pm | Questions to all speakers |
4:05 - 4:15 pm |
Questions and summing up Convenor: Catrina Vignando General Manager, Craft Australia, Canberra |
7:00 pm |
Conference dinner University House Balmain Crescent, Acton View map |
Time | Presentation |
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Workshop program In addition to the conference program a series of workshops and demonstrations will be presented for the delegates and the general public. These programs are complimented by an Indigenous craft and design Mart that will be held on the lawns of the Museum and is open to the general public with all proceeds going to the artists. See: Workshops Demonstrations |
Time | Presentation |
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Seminar program In addition to the conference and workshop programs a series of post-conference seminars will be presented for the delegates. The seminars will explore ethical consumerism and the development of principals for the collaboration between designer, craftsperson, communities and industry. They will also look at specific areas of professional development for practitioners. See: Seminars |
Time | Presentation |
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Exhibition The conference will be held in association with the exhibition ReCoil, Change & Exchange in Coiled Fibre Art, curated by Margie West. The innovations occurring in Indigenous fibre practice, is nothing short of revolutionary. ReCoil: Change and Exchange in Coiled Fibre Art explores the influences underpinning some of the most recent and often dramatic changes to contemporary Indigenous fibre art happening in many parts of Australia. See: Selection of images |